It's a Sin

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It’s A Sin—I can’t quite find the words to express how I feel about HBO’s latest prestige miniseries. There is a sadness at the heart of the show that is almost overpowering at times. Part of that has to do with the writer not trying to create the AIDS story of the 1980’s, instead making the story of these characters. It is a crucial distinction; when you think of the many great stories told about the AIDS crisis (Angels in America, And The Band Played On) there are so many other things going on (educational agenda, activism, etc) and the AIDS story is just part of it. Those projects often lose the immediacy and the personal, empathetic connection to people.

What It’s a Sin does so incredibly well is it has the viewer fall in love with youth, and young people, at a time that many of us can relate to when we were just discovering who we were, loving music, going out, or just being in a city. And then the show presents to us something that feels (even in this era of pandemic) totally impossible: what if the things that you loved could also kill you? And no one was going to help you? And there was no way to get information? In 2021 watching that feels bitter because 40 years ago people didn’t know, there was no information. Now we have information about illnesses, and what to do, but people don’t follow it.

There are multiple ways to understand injustice and tragedy, to get an audience engaged in it; to get people riled up and angry is one of them, bringing you in to the lives and homes of people and crushing you with sadness is another. It’s a very unique position to be in with a show because I can’t think of another show that has made me this deeply, existentially, sad before. Everyone should check it out.

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Holiday Treats

More lighting practice and a (alphabetically organized) list of my favourite TV shows from this year. Happy holidays!

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In The Moment

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I May Destroy You feels like something that could be happening outside your front door. The further I get from that show the thing that I’m most blown away by isn’t the shows willingness to tussle with every hot button issue, which is just a reductive way to call hugely important things in our life and our society. It’s both the way it engages with them and the deeply human, moral, and thoughtful way it addressed all of them. It wasn’t reactionary in any way. And it’s interesting how the space you watch a show in can invigorate a show with superpowers; alive with an electricity that it didn’t even dream of when it was created.

Salt-N-Pepa

It’s Remembrance Day in Canada so I got the day off. I took the time to create a scene around a pair of Bottle Grinders I picked up recently. The idea was to diffuse the light using various materials to achieve the softest light I could. I feel that the image came off how I wanted although I should’ve added a second flash for the bottom right corner; those grapes look a little too dark.

And yes my glasses are that thick…🤓

PS - Scroll to the bottom for my thoughts on Queen’s Gambit

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Okay — here’s my two cents on what I think has been one of the best shows of 2020, Queen’s Gambit. It’s quietly a radical show in the way Beth is presented; as a female hero who is a complicated, troubled, and difficult woman. Yet ultimately she forges really profound, respectful relationships with the people in her life and it feels unlike anything I have seen before onscreen (it does happen in real life). Particularly her relationships with Harry, Benny, and Townes; the men in her life. I don’t recall another show where a brilliant woman is recognized, seen, and respected by the men in her path along the way. A specific thing that felt very meaningful and elevated the whole series for me.